This essay considers questions of control and consent in A Lover’s Complaint through an exploration of the Renaissance ‘figure of similitude’. Shakespeare’s poem works through patterns of likeness and unlikeness, exploring the chilling risks involved for women when they – or their lovers – are taken to resemble something they are not.
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Craik, Katharine A.
Faculty of Humanities and Social Sciences
Year of publication: 2024Date of RADAR deposit: 2024-04-30
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