The Oxford Brookes Poetry Centre podcast focusses upon the work of one poet or features discussion about poetry with poets and academics. The theme music for the podcast, entitled ‘Leaving for the North’, was composed by Aneurin Rees, and played by Aneurin Rees (guitar) and Rosalie Tribe (violin). For more information about the Poetry Centre, look up our website or find us on social media @brookespoetry
This is the second instalment in an occasional series to feature research that colleagues are engaged with at Oxford Brookes University. This episode includes an interview with Dr Eric White, who is a Reader in American Literature at Oxford Brookes University. Eric specializes in avant-garde literature and is the author of two books: Reading Machines in the Modernist Transatlantic: Avant-Gardes, Technology and the Everyday (2020) and Transatlantic Avant-Gardes: Little Magazines and Localist Modernism (2013). He has also prepared critical editions of texts, including Readies for Bob Brown’s Machine (2020) and The Early Career of William Carlos Williams (2013). Eric is the principal investigator of the Avant-Gardes and Speculative Technology (AGAST) Project, a digital humanities collaboration that reimagines modernists’ inventions using XR (Extended Reality, a term that includes virtual reality, mixed reality, and augmented reality). Together with Dr Georgina Colby, he co-edits two Edinburgh University Pr…
In this extra mini-episode, which follows on from a longer interview with Dr Eric White, Eric gives us some insight into the Avant-Gardes and Speculative Technologies (or AGAST) project, which draws on his research to consider what kinds of powerful applications these modernist technologies might have today.
This latest episode marks something of a departure for the Poetry Centre podcast. If you’re a regular or just occasional listener to this podcast, you’ll know that it normally features a poet in conversation about two or three of their poems. This episode is the first of a series in which Niall Munro talks with colleagues at Oxford Brookes University and showcases some of the very exciting research that they have been doing into poets and poetry. In this episode, Niall Munro talks with Dr Dinah Roe, Reader in Nineteenth-Century Literature here at Oxford Brookes. Dinah is an expert on Christina Rossetti, Victorian poetry, and the Pre-Raphaelites. During this past semester Dinah has run discussion groups and contributed an introduction to a Weekly Poem featuring Rossetti’s work that you can still find on our website, and we’re releasing this podcast on Sunday 5 December - Christina Rossetti’s birthday. In the discussion with Dinah, we focus on three poems by Rossetti: 'The heart knoweth its own bitterness', '…
Leah Umansky is the author of two book-length collections, The Barbarous Century (2018), Domestic Uncertainties (Blazevox, 2012), and two chapbooks, Straight Away the Emptied World (Kattywompus Press, 2016), and the Mad Men-inspired Don Dreams and I Dream (Kattywompus Press, 2014). Her writing has been widely published in places like The New York Times, The Academy of American Poets’ Poem-A Day, USA Today, POETRY, Guernica, and American Poetry Review. She has been the host and curator of the New York City-based poetry series COUPLET since 2011, and is a graduate of the MFA Program in Poetry at Sarah Lawrence College. Leah has become well known for her poetry inspired by TV series, such as Mad Men, Westworld, and Mr. Robot. Many of her Game of Thrones-inspired poems have been translated into Norwegian and Bengali. In 2013, Flavorwire named her #7 of 23 People Who Will Make You Care About Poetry, and her chapbook Don Dreams and I Dream was voted one of The Top 10 Chapbooks To Read Now in 2014 by Time Out New …
In this episode Niall Munro talks with Christopher Kempf about his new collection of poetry, What Though The Field Be Lost, published by Louisiana State University Press in 2021. Chris’s first poetry collection, Late in the Empire of Men, won the 2015 Levis Prize from Four Way Books and was reviewed widely, including in The New York Times. His scholarly book, Craft Class: The Workshop in American Culture, is forthcoming from Johns Hopkins University Press. You can find out more about Chris on his website: christopherkempf.com What Though The Field Be Lost may be grounded in the Civil War battlefield of Gettysburg, Pennsylvania, but it doesn't just offer just a fascinating engagement with the soil and statues there. It is also a profound exploration of conflict and memory more broadly in the United States. Indeed, one of the most striking things about the book is the way in which it is so attentive to the complexities of history. Through the discussion of two poems from the book, ‘Remembrance Day’ and ‘Afte…
celeste doaks is a poet and journalist. She is the author of Cornrows and Cornfields, a collection of poems published in 2015 by Wrecking Ball Press. The book was listed as one of the Ten Best Books of 2015 by Beltway Quarterly Poetry. In 2017, she edited and contributed to the anthology Not Without Our Laughter: Poems of Humor, Joy, and Sexuality, published by Mason Jar Press. And in 2019 she published American Herstory, which was the winner of Backbone Press’s 2018 chapbook competition. The chapbook, which we talk about in the podcast, was named best chapbook by the Maryland Poet Laureate, Grace Cavalieri, and includes poems about First Lady Michelle Obama. celeste has received numerous awards, such as a 2017 Rubys Grant in Literary Arts, a Lucille Clifton Scholarship, and residencies at Atlantic Center of the Arts and the Fine Arts Work Center in Provincetown. In addition to American Herstory, on the podcast we also discuss celeste’s five forthcoming poems about the nineteenth-century African American en…
In this episode, Niall Munro talks with the Gaelic poet Niall O’Gallagher. Niall studied and then taught at the University of Glasgow before going on to work as a journalist. As Niall mentions in the podcast, it was in his early days as a journalist that he began writing the poems that went into his first collection, Beatha Ùr (‘New Life’), published by Clàr in 2013. Three years later, he published Suain nan Trì Latha (‘Three Nights Dreaming’) in which - and again you’ll hear Niall discussing this - he made use of classical Gaelic forms to write modern love poems. A third collection, Fo Bhlàth (‘Flourishing’) has just been published. Niall also recently won the Gaelic prize in the Wigtown Poetry Competition in 2020 for his poem, ‘Penelope’. Niall has worked as a translator of poetry from Gaelic, Irish and Catalan, including work by Christopher Whyte (shortlisted for the Saltire Scottish Poetry Book of the Year in 2019) and he has also published Scottish Gaelic versions of work by the Irish poet Biddy Jenki…
In this episode, Ana Sampson talks to Niall Munro about her extensive experience of editing poetry anthologies. The episode also features a very special guest reader: the internationally-acclaimed actress Romola Garai. In the podcast, Ana discusses how she got into editing anthologies, how she goes about putting her anthologies together and making tough decisions about which poems to keep in and leave out, and why she thinks her most recent anthologies featuring only women poets - She Is Fierce and She Will Soar, both published by Pan Macmillan - are particularly important. You can find out more about Ana's work on her website (anasampson.co.uk) and follow her on Twitter (@AnaBooks). Ana and Niall discuss three poems from She Will Soar: 'The Sea-Shore' by Letitia Elizabeth Landon, an excerpt from Elizabeth Barrett Browning's verse novel Aurora Leigh, and 'Sonnet XXXI' by Edna St. Vincent Millay. To read these poems, we are absolutely delighted to welcome the acclaimed actress-writer-director Romola Garai. R…
In this episode, the poet, editor and translator Chris Beckett talks to Niall Munro about his latest book, "Tenderfoot". Chris discusses growing up in Ethiopia and questions of privilege, perceptions of Ethiopia and a responsibility he feels to write about the place and its people. Chris also talks about how he portrays his nascent sexuality and how he reflects on Ethiopia then and now after numerous trips back to the country in recent years. Chris has published two collections with Carcanet, “Ethiopia Boy” in 2013, a sequence of praise poems about his childhood crush Abebe, and “Tenderfoot” in July this year. He co-translated and edited the first ever anthology of Ethiopian Amharic poetry, “Songs We Learn from Trees”, also out from Carcanet earlier this year. Chris’s partner is Japanese painter and sculptor, Isao Miura. Together they published a book of drawings and poems in 2014, “Sketches from the Poem Road", after Matsuo Basho’s Narrow Road to the Deep North” which was shortlisted for the Ted Hughes Awar…